Original 4 x 4 pastel drawing on blue paper unsigned Overall size with frame is 8 x 8

Original 4 x 6 brown ink drawing on tissue paper unsigned Overall size with frame is 8.5 x 10.5

Antique 18th century Old Master pen and ink drawing of Archimedes. Presented in linen mat and gilt wood frame. Measures 10″ x 7 5/8″ framed; 5″ x 3 1/8″ sight. Good condition – light wear to frame.

Large sketch of a handsome young man in a bathing costume. Black and white. Homoerotic in nature

Vintage 1988 terracotta colored pencil on paper portrait drawing of seated woman by Ahuva Shweiki (20th century) Texas. Signed lower right corner, from the artists estate. Unframed, age toning, tape remains on verso.

A 1960s abstract mixed media drawing of a man by the American artist James L. Bruch (1942-2023). A curious gentleman is depicted in this abstract sketch portrait. The drawing is displayed in a cream mat and a black frame and is estate stamped to the verso.

Born in Kenosha, Wisconsin, James Bruch (1942-2023) pursued his artistic talents at the University of Notre Dame, graduating cum laude with a Bachelor of Fine Arts in 1964. Thereafter, he received his Master of Fine Arts from the University of Southern California in 1967. While in school, Bruch focused his attention on painting bright scenes and recreating masterworks in pencil. From the ‘70s-’90s, he built his advertising career, garnering recognition for his efforts along the way. Upon retirement, Bruch immediately returned to decades-old ideas of colorful abstraction, which he had reimagined throughout his lifetime.

Bruch started his career designing for Montgomery Ward in Chicago, where he would meet, and settle down with, his wife Amy. He would continue his career at the prestigious institution of Leo Burnett as an art director and later as vice president. Following his retirement from the industry in 1999, Bruch was reinvigorated as an artist. He began to rediscover old concepts from his time in art school, reworking them, painting and repainting layer after layer, no piece ever truly finished in his eyes. He was a very reserved man after his retirement and following the death of his wife. This resulted in his work not being exhibited or sold during his lifetime.

1990 “Common Ecstacy I” still life pastel on board by Young. Pencil signed, titled and dated below the image.
Image: 15 14 x 12 1/4 inches
Board: 19 1/4 x 15 1/2 inches

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.

A dynamic and loose figural showing a woman in contrapposto, draped in a shawl and wearing short pumps.

Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote and Yves Brayer at the Académie de la Grande Chaumière. While in Paris, Di Gesu exhibited extensively, including at the Louvre, the Exposition des Artistes Étrangères, the Grand Palais of the Salon d’Automne and the Salon des Arts Décoratifs among other Parisian Salons. He subsequently attended Barcelona’s Escuela de Bellas Artes before furthering his studies in Rome at the Studio Hinna. Returning to California, Di Gesu worked beside notable American Modernists including F. Tolles Chamberlain and Maynard Jepson.

Already a gifted colorist, Di Gesu’s classical training combined with his scientific research into color theory, allowed him to create vivid yet harmonious works which, while reminiscent of Matisse and Gauguin, revealed a verve and spontaneity that remained uniquely his own. A prolific artist, Victor di Gesu was the recipient of numerous medals and juried awards, both in the United States and France. After his return to California, he continued to exhibit widely and with success, including at the San Francisco Museum of Art, Monterey Peninsula Museum of Art, the Carmel Art Association and the Los Angeles County Museum of Art.

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.

A loosely drawn and and dynamic figural showing a woman standing contrapposto, hand on her hip.

Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote and Yves Brayer at the Académie de la Grande Chaumière. While in Paris, Di Gesu exhibited extensively, including at the Louvre, the Exposition des Artistes Étrangères, the Grand Palais of the Salon d’Automne and the Salon des Arts Décoratifs among other Parisian Salons. He subsequently attended Barcelona’s Escuela de Bellas Artes before furthering his studies in Rome at the Studio Hinna. Returning to California, Di Gesu worked beside notable American Modernists including F. Tolles Chamberlain and Maynard Jepson.

Already a gifted colorist, Di Gesu’s classical training combined with his scientific research into color theory, allowed him to create vivid yet harmonious works which, while reminiscent of Matisse and Gauguin, revealed a verve and spontaneity that remained uniquely his own. A prolific artist, Victor di Gesu was the recipient of numerous medals and juried awards, both in the United States and France. After his return to California, he continued to exhibit widely and with success, including at the San Francisco Museum of Art, Monterey Peninsula Museum of Art, the Carmel Art Association and the Los Angeles County Museum of Art.

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.

A still-life of pears and apples with stems and leaves set in a terra-cotta bowl.

Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote and Yves Brayer at the Académie de la Grande Chaumière. While in Paris, Di Gesu exhibited extensively, including at the Louvre, the Exposition des Artistes Étrangères, the Grand Palais of the Salon d’Automne and the Salon des Arts Décoratifs among other Parisian Salons. He subsequently attended Barcelona’s Escuela de Bellas Artes before furthering his studies in Rome at the Studio Hinna. Returning to California, Di Gesu worked beside notable American Modernists including F. Tolles Chamberlain and Maynard Jepson.

Already a gifted colorist, Di Gesu’s classical training combined with his scientific research into color theory, allowed him to create vivid yet harmonious works which, while reminiscent of Matisse and Gauguin, revealed a verve and spontaneity that remained uniquely his own. A prolific artist, Victor di Gesu was the recipient of numerous medals and juried awards, both in the United States and France. After his return to California, he continued to exhibit widely and with success, including at the San Francisco Museum of Art, Monterey Peninsula Museum of Art, the Carmel Art Association and the Los Angeles County Museum of Art.