Nice little well framed print pair. The silk and linen matting looks great with the gold painted bamboo carved pattern on the frame. Priced to sell. Add this lovely picture to any place that asks for mid century accents.

1996 Art Institute of Chicago Degas Two Dancers Print. Double matted. Housed under glass in gilt gold frame.

This set of three (3) lithographs (offset) depict abstract images created by the modernist master Paul Klee (Switzerland/Germany 1879-1940 Listed) in the early-mid 20th century. Printed in Germany on one side only on “laid’ paper. Please view our other listings from this series. Dimensions: 11.5ʺW × 1ʺD × 12.5ʺH. Please view our other Paul Klee images from this series.

Klee’s training as a painter began in 1898 when he studied drawing and painting in Munich for three years. By 1911, he had returned to that city, where he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc in 1911. Klee and Kandinsky became lifelong friends, and the support of the older painter provided much-needed encouragement.

From 1931 to December 1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate” in 1933, Klee returned to his native Bern. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

We combine shipping whenever feasible.

This set of three (3) lithographs (offset) depict abstract images created by the modernist master Paul Klee (Switzerland/Germany 1879-1940 Listed) in the early-mid 20th century. Printed in Germany on one side only on “laid’ paper. Please view our other listings from this series. Dimensions: 11.5ʺW × 1ʺD × 12.5ʺH. Please view our other Paul Klee images from this series.

Klee’s training as a painter began in 1898 when he studied drawing and painting in Munich for three years. By 1911, he had returned to that city, where he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc in 1911. Klee and Kandinsky became lifelong friends, and the support of the older painter provided much-needed encouragement.

From 1931 to December 1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate” in 1933, Klee returned to his native Bern. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

We combine shipping whenever feasible.

This set of three (3) lithographs (offset) depict abstract images created by the modernist master Paul Klee (Switzerland/Germany 1879-1940 Listed) in the early-mid 20th century. Printed in Germany on one side only on “laid’ paper. Please view our other listings from this series. Dimensions: 11.5ʺW × 1ʺD × 12.5ʺH. Please view our other Paul Klee images from this series.

Klee’s training as a painter began in 1898 when he studied drawing and painting in Munich for three years. By 1911, he had returned to that city, where he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc in 1911. Klee and Kandinsky became lifelong friends, and the support of the older painter provided much-needed encouragement.

From 1931 to December 1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate” in 1933, Klee returned to his native Bern. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

We combine shipping whenever feasible.

This set of three (3) lithographs (offset) depict abstract images created by the modernist master Paul Klee (Switzerland/Germany 1879-1940 Listed) in the early-mid 20th century. Printed in Germany on one side only on “laid’ paper. Please view our other listings from this series. Dimensions: 11.5ʺW × 1ʺD × 12.5ʺH. Please view our other Paul Klee images from this series.

Klee’s training as a painter began in 1898 when he studied drawing and painting in Munich for three years. By 1911, he had returned to that city, where he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc in 1911. Klee and Kandinsky became lifelong friends, and the support of the older painter provided much-needed encouragement.

From 1931 to December 1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate” in 1933, Klee returned to his native Bern. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

We combine shipping whenever feasible.

This set of twelve (12) mid 20th century lithographs (offset) depict abstract images created by the modernist master Paul Klee (Switzerland/Germany 1879-1940 Listed) in the early-mid 20th century. The prints are presented in passepartouts (paper mats). They may be removed and re-matted at your option. Printed in the USA on one side only. Dimensions: Each image varies; 11.5″x12.75″ (mat).

Klee was the second child of Hans Klee, a German music teacher, and a Swiss mother. His training as a painter began in 1898 when he studied drawing and painting in Munich for three years. By 1911, he had returned to that city, where he became involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc in 1911. Klee and Kandinsky became lifelong friends, and the support of the older painter provided much-needed encouragement. Until then, Klee had worked in relative isolation, experimenting with various styles and media, such as making caricatures and Symbolist drawings, and later producing small works on paper mainly in black and white.

From 1931 to December 1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate” in 1933, Klee returned to his native Bern. Personal hardship and the increasing gravity of the political situation in Europe are reflected in the somber tone of his late work.

We combine shipping whenever feasible.

An excellent large offset lithograph of watercolor “Sam” (1954) by Andy Warhol. Published by The Andy Warhol Foundation for the Visual Arts, Inc in 1993. Printed in Germany. Signed in the print. Stamp of the Andy Warhol Foundation in the print (not in ink) at the lower right corner. Publisher copy at the lower edge. This is an offset lithograph, colors were printed separately (not hand pulled, hand colored lithograph). Detailed, rich colors. Very good condition – minor foxing, never framed.

Overall 11.90″W x 15.75″H

Horst Janssen (1929-1995) “The winter is coming”, 1994 copy 99/100 original lithographs hand colored and dated This piece has an attribution mark,
I am sure that it is completely authentic and take full responsibility for any authenticity
issues arising from misattribution

Lithograph titled “What a Day, What a Day” pencil signed and numbered 79/180. The theme is Eclecticism, and the style is Primitive Fantasy. Very unique pattern. Whimsey, happy & fun. This is a rare & quintessential Oku – true to color and form. From a Philadelphia Estate. Very high-end & beautiful framing – triple matting with hand drawn orange line on top matt – framed in a quality gold gilt wood frame.

Oku Shigeo Okumura 1937 – 1993
Part of the contemporary Art Movement. 1st Studio 1968, USA, Japan, Holland & Germany.